Alicia Keys! Pete Rock Soul Survivor II!! What!! I have followed Dave and his work is great and highly credible. If it doesn't work out for me and analog emulation plugins, I can always go back to Ableton stock plugins (Which are great for me, I'm just trying to have a little fun).I remember once hearing Dave Kutch in an interview on Pensado's Place say that in several situations T-Racks Multiband Compressor was a pleasant surprise and the perfect tool of choice to get a project done. I'm just wanting to incorporate a little bit of analog plugins into my workflow, because it seems fun. I just add some sort of saturation using a saturator plugin or the stock Ableton saturator effect, and it works for me. So I guess the real question is, are they $20 per month better than the T-Racks counterparts? (Which I all got for below $50 and don't need to pay a single dime again, ever).Īctually, I haven't used analog emulations in a very long time, and have been mixing using Ableton stock plugins, which are actually great. Although, I'm not sure if it's worth paying $20 every month, for a few plugins that I already own perpetual license to, from a different developer. They do offer a 30 day free trial, which I technically could utilize. I've heard a lot of good things about UAD, recently they went native with Spark. I'm using analog emulation plugins just to add some sort of saturation/coloration to my source material.
They cover most of the analog emulations I find fun to use, i.e, the LA-2A, the 1176, FC 670, EQP-1A, Neve 81 etc.
Anyone use IK Multimedia's T-Racks plugins to mix and master their music?īasically, over a period of time, I have collected a lot of T-Racks plugins, some I bought some I got for free.
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